Photography
STUDIO & PORTRAIT PHOTOGRAPHY
I spent four years practicing studio photography during my technical high school studies. To be honest, I didn't always enjoy it at first because the standard technical assignments felt too rigid and unartistic. However, I eventually found my own path—especially when I discovered low-key photography and dramatic, moody lighting. Now, for me, studio photography is all about the artistic process and the personal connection with the model. The studio is no longer a chore; it’s a space that gives me the absolute freedom to experiment and play with creative concepts.
Commercial Portraits & Reportage
These historical reenactment photographs were originally captured as a major part of my graduation project. When shooting, I always try to blend into the background and act like an invisible observer—as if I weren't even there. This section is all about capturing candid moments and raw, unposed atmosphere. Instead of heavily staging things, I prefer to work with what the location offers, catching authentic action as it naturally happens.
Local Concerts & Live Music
This was actually my first time shooting a live concert, and it was a wild experience. The biggest challenge was the near-total darkness, forcing me to use a flash just to get some visibility and capture the action. It was all about adapting on the spot and then pushing the limits in post-production to bring out the raw, authentic energy of the night.
I always aim to capture the perfect shot in-camera so it doesn't need any fixes, but post-production is where I take the image to a completely different level. I love playing with colors in Adobe Photoshop and Lightroom to give the final visuals their true artistic edge. All current work is captured on a Nikon D7200 DSLR.
Graphic Design & 3D Graphics
3d and motion
I’ve been diving into 3D and motion graphics for over three years now. This section shows a core piece of my graduation project, where I focused heavily on high-fidelity hard-surface modeling, realistic texturing, and historical accuracy to support the visual storytelling. My production pipeline usually centers around 3ds Max and Blender for building, detailing, and simulating complex models. From there, I move over to Twinmotion to handle real-time rendering, environment design, and lighting. I love the entire process of taking a raw asset from a blank viewport all the way to a finished, photorealistic cinematic shot.
My relationship with visual art started in early childhood, when I spent most of my time drawing and painting. Over time, that passion naturally evolved into digital graphic design, which gave me much more freedom and tools to experiment. Today, I work across various software depending on the project—whether it's vector branding and layouts in Adobe Illustrator, advanced photo manipulation in Photoshop, UI/UX mockups in Adobe XD, or quick digital assets in Canva. For me, digital design is just a modern extension of traditional art.
